thesis-driven Research Paper

Tentative Thesis and MLA–Styled Works Cited Page with your Primary and Secondary Sources

(Please take notice that once you select a literary approach–Marxist theory, CRT, psychological theory, gender theory, feminist theory, you need to specify which concepts within that theory you will be using to make your argument about the primary texts. See my example below.

1) Students are required to write a thesis-driven Research Paper of 6-8 pages, with in-text citations plus a Works Cited page, following MLA documentation guidelines.
2) Please pick three or more of the short stories or poems or one longer drama piece (Shakespeare’s Othello) assigned in this class as your primary work/s and apply one of the following critical approaches: Marxist, Gender, Critical Race, Mythological, Psychoanalytical. Please review the link in Canvas regarding the difference between primary, secondary, and tertiary sources: Link (Links to an external site.).
3) Students are encouraged to expand Essay Two, into the research paper, or you can start fresh with new text/s and/or a different literary approach.
4) You must use a minimum of 3 scholarly** sources accessed through LAMC databases such as EBSCOhost or AcademicFile One in your research.
5) Please review the link explaining which secondary sources qualify as “scholarly” secondary sources and which do not: Link. (Links to an external site.) If you need more information on what qualifies as a scholarly source, review the following video: Link

http://guides.lib.berkeley.edu/c.php?g=83917&p=3747680
http://guides.lib.berkeley.edu/subject-guide/163-Finding-Historical-Primary-Sources

Example:
I. Primary Sources:
Sharon Olds “Rite of Passage”
Robert Browning “My Last Duchess”
John Keats “Bright star, would I were steadfast as thou art”
II. Literary Approach to be applied to Texts:
Psychoanalytic Theory, specifically the concepts of the id, ego, and superego

III. Thesis statement:
The speakers in these three works experience conflict between their id, ego, and superego resulting in damaging interpersonal relations.

IV. Works Cited (Primary Texts)
Olds, Sharon. “Rite of Passage.” Kennedy and Gioia.
Browning, Robert. “My Last Duchess.“ Kennedy and Gioia.
Keats, John. “Bright star, would I were steadfast as thou art.” Kennedy and Gioia.
Kennedy, X. J., and Dana Gioia, editors. Revel for Literature Collection, 2016. https://revel.pearson.com/

Please post your revised thesis and MLA-Styled Annotated Bibliography (Links to an external site.) of your secondary sources here.
Please review the links provided in previous Modules on Works Cited pages and the link here for primary and secondary sources: Link

Stories:

• Chinua Achebe, Dead Men’s Path
• Sherwood Anderson, Hands
• Margaret Atwood, Happy Endings
• Ambrose Bierce, An Occurrence at Owl Creek Bridge
• T. Coraghessan Boyle, Greasy Lake
• Willa Cather, Paul’s Case
• Anton Chekhov, An Upheaval
• Anton Chekhov, Misery
• Kate Chopin, The Story of an Hour
• Kate Chopin, Désirée’s Baby
• Sandra Cisneros, The House on Mango Street
• Joseph Conrad, The Secret Sharer
• Arthur Conan Doyle, The Adventure of the Speckled Band
• Ralph Ellison, Battle Royal
• Gustave Flaubert, A Simple Heart
• Charlotte Perkins Gilman, The Unnatural Mother
• Susan Glaspell, A Jury of Her Peers
• Nikolai Gogol, The Overcoat
• Nathaniel Hawthorne, The Birthmark
• James Joyce, Araby
• James Joyce, Eveline
• James Joyce, The Dead
• Franz Kafka, Before the Law
• Jamaica Kincaid, Girl
• Jhumpa Lahiri, Interpreter of Maladies
• D. H. Lawrence, The Rocking-Horse Winner
• D. H. Lawrence, Odour of Chrysanthemums
• David Leavitt, A Place I’ve Never Been
• Naguib Mahfouz, The Lawsuit
• Katherine Mansfield, The Garden-Party
• Bobbie Ann Mason, Shiloh
• Guy de Maupassant, Mother Savage
• Guy de Maupassant, The Necklace
• Herman Melville, Bartleby, the Scrivener
• Joyce Carol Oates, Where Are You Going, Where Have You Been?
• Tim O’Brien, The Things They Carried
• Daniel Orozco, Orientation
• Robert Louis Stevenson, The Bottle Imp
• Edith Wharton, The Other Two
• Oscar Wilde, The Happy Prince
• Tobias Wolff, The Rich Brother
• Virginia Woolf, A Haunted House

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